Monday, 29 September 2014

Revision Guide for the theories of Language Acquisition


There are four key theories to language acquisition:

v  Behaviourist

v  Cognition Theory

v  Innateness Theory

v  Social and cultural Theory

All of them describe different theories as to how a child can pick up and develop language through different means. The first we shall look at is behaviourist.

Behaviourist Theory

‘Children learn to speak by copying others and through positive and negative reinforcement’ – Skinner

This is also known as operant conditioning, where a child is rewarded for performing an action which encourages the behaviour for the future, or is punished where the behaviour is seen as negative, not to be done again. For example, if a child is good or completes a task well, the parent would reward them, encouraging the behaviour. If a child does not share, or does something wrong, the parents would punish the child.

Some linguists see language as a behaviour that is shaped by operant conditioning, as it is a subset of learned behaviours. If a particular response is reinforced, it should become habitual. This means that children will pick up the reinforced language and drop the ones that aren’t.  Once this behaviour is reinforced once, it would only need to be occasionally reinforced, meaning that speech sounds that appear less frequently will be dropped, causing the extinction of the sound. However children will make errors depending on the context or situation.

The argument for behaviourist theory is that language is based on learning, imitation, practice and selective reinforcement. However it does have its limitations or on what it misses out. Firstly, it is highly dependent on adults to have full control over this developing stage, when children do not understand the duality property of language. Children speak in words even adults don’t use, and there is retention of the use of cuss words. There is no reinforcement on abstracted ideas.

Cognition Theory

‘It involves the ability of the mind to conceptualise ‘–Piaget

It is a huge contrast to the behaviourist theory, as it involves putting objects through a schema in order to identify them. However, it does require an adult to confirm or correct what the child suspects.

For example, a child could learn about a dog through pictures, and understand that it has four legs, big ears and a tail. However, if a child was to see a cat, they would most likely call it a dog; this is where a parent would step in and correct the child, calling it a cat. The child then conceptualises the idea that a cat is different from a dog. 

This theory does make sense to an extent. A child learning its first language would collect a data base of schemas. For example, if a child learns about a dog, it would assume that everything with four legs would be a dog. However, his small sample size when researching, meaning that he could not make his hypothesis applicable to every child. Recent theory of mind research has found that 4- and 5-year-old children have a rather sophisticated understanding of their own mental processes as well as those of other people. For example, children of this age have some ability to take the perspective of another person, meaning they are far less egocentric than Piaget believed.

Innateness Theory

‘Humans – and so children – are born with the capacity for language acquisition’- Chomsky

The key concept of this idea is that there is a critical period for learning language and that, if passed; a child will be unable to learn a language. This is in three theories. The first is nativist, where there is a native capacity to learn language. The second is environmentalist, where there is an environment where it is easier for a child to learn language. The last is internationalist, where learning language depends on what the child is interacting with. This is so a child can naturally develop language without the need for formal training.

It links with the behaviourist theory, as part of the innateness theory is how the environment and external interactions shape the acquisition of language. It also links to the cognitive theory, for the interactions developing language.

A weakness to the theory is that it does not always apply to every case, e.g. the child ‘Genie’ was suspected of missing the learning critical period for language. However, it was unclear whether it was her years of abuse that prevented her learning, or if she had a mental disability for learning. This could then apply for other children in similar situations.

Social/Cultural Theory

‘Parents adapt their speech to allow maximum learning of language to take place’ – Vygotsky

The idea is that the key point of language is to make meaning. This supports the idea that parents use monosyllabic words and more nouns in order to create meaning to the child, therefore making the child semantically remember the words. It contrasts the cognition theory, as learning should be done on a cultural basis, learning through interactions, rather than reward and punishment for correct/incorrect language use. It links to the behaviourist and innateness theory as interactions are key to it in order to create meaning to the language.

This graph shows a contrast between the cognitive theory and the social theory.


 

 

A weakness for this theory is that the main criticism of Vygotsky's work concerns the assumption that it is relevant to all cultures. Rogoff dismisses the idea that Vygotsky's ideas are culturally universal and instead states the concept of scaffolding - which is heavily dependent on verbal instruction - may not be equally useful in all cultures for all types of learning. Indeed, in some instances observation and practice may be more effective ways of learning certain skills.

Tuesday, 10 December 2013

Persuasion/argument Style Models and Ideas


Christian Arguments Against Atheism
Atheism declares that there is no god. Christianity teaches that there is a God. Both cannot be true. So which one is correct, the atheist or the Christian? Is there a convincing argument against atheism?
This article will 1) first attempt to clarify what we mean when we say “arguments against atheism,” 2) followed by what these arguments are. Finally, 3) the article introduces the source of a Christian’s confidence, 4) as well as the source of an atheist’s confidence.
1. What Does it Mean to “Argue Against Atheism”?
 In order to muster “Christian arguments against atheism,” we need to realize that we are not simply trying to argue against something. It is necessary to argue for something. The term “atheism” is a word composed of two parts: “a-” which means “without,” and “theos,” which means “god.” Thus, any argument against atheism (without God) will be an argument for theism (God).
2. Arguments Against Atheism
 Since arguments against atheism are necessarily arguments for God, here are some of classical arguments for the existence of God, in summary form.
 -The Argument from Causality: Look around for something that does not have a cause (and therefore a beginning). This sequence can work backwards indefinitely. But does it go infinitely, or does it ultimately stop? To say that it goes on infinitely leads to a logical dilemma. Without some initial cause, there can be no caused things, and no explanation for causality itself. The only rational answer is that there is at the beginning of all things an uncaused Cause, capable of causing all things.
-The Argument from Design: Nature manifests a certain irreducible complexity. The design in nature requires a Designer. God is the creator and designer of all things.
 
This is a style model about Christainity against Atheism. As it is an internet blog article, it has to have its points labeled clearly uner subtitles addressing each point. It is extremely detail as it has to be able to persaude and audience to agree witht he point of view expressed in the article, and have to be logical and clear in its presentation. It also has to try and sound like it makes more sense than the opposing team. However, i do think that this style model could do without numbering its points, or could take an essay appoach, but as it is a blog it has to be clear, and easy to pick out points quickly and efectively. Its common for persausion articles to use retorical questions to get the audience to think about the topic and let them form their own opinion.

Thursday, 5 December 2013

Activity Tasks

Grammar - 7.       Find different newspaper headlines on the same story that use active and passive forms. What is the effect of this different use of voice? Is it related to a political ideology or another vested interest that the text producer might have? Think about whether agency is made explicit and foregrounded in an active construction or made less explicit or omitted in a passive one. Discuss.

Active: The Telegraph 
'The Syrian civil war is breeding a new generation of terrorist' 
This active use of voice shows that it is strongly against the war in Syria. It uses a verb to make it sound more threatening, and as though the threat is a bacteria that is growing. It is a piece of propaganda that is against the war, and wants to spread fear amounts readers. It uses the noun 'Terroist', to paint the picture of what many people would think a stereotypical terrorist would look like. Using 'Is' makes the statement appear more definite and factual, trying to convince the reader that this is the case in Syria. It suggests that there is political backing to create as much negativity to the war in order to get support to fight and help the people of Syria.

Passive: BBC News
'Syria Conflict: Aleppo rocket attack 'kills at least 18''
This headline appears to be reporting facts, as it quotes a source on how many deaths occur. it does not have a hate stance on the topic, merely stating a fact and reporting whats happened. It says conflict to ease the fear that people associate with war, and is trying not to fear monger when bringing the news of a rocket killing 18 people. It is a simple headline but still captures interest by mention the death toll, due to humans being interested in ideas of desturction.







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Monday, 18 November 2013

A twisted tale

Once upon a time, there lived a King and Queen of a far away kingdom. They were loved and adored though out the land, and were widely celebrated for their kind and fair approach to ruling. Their Capitol was blooming with the finest food, the most beautiful flowers, the most impressive buildings and the friendliest of citizens. However, there was one who resented the kind monarchs. The Cruel Witch was jealous of the success and wealth they possessed. Once she heard that they were to be due another happiness, an heir, she lost her mind and vowed to make them suffer forever.

On the day of the heirs birth, the kingdom celebrated. Many paintings had been commissioned of the new prince. The small child had small tuffs of light blond hair as soft as cotton. His eyes were a crystal clear deep blue, which could easily put any fair maids to shame. He was the perfect heir to the perfect kingdom; and everything was well. Until, later that day, once the celebrations began to calm down; the cruel witch struck. She broke into the baby's nursery, stowed him under her cloak and vanished into the night. The King and Queen were devastated and ordered a kingdom wide search to find him.However, they knew that the only way to appeal to other kingdoms to help them find their heir was to deceive... They sent an urgent message to their neighbouring kingdoms that their beautiful daughter had been kidnapped, and who ever finds her may have her hand in marriage.

Eighteen years had passed, yet there was no luck in finding the 'Princess'. Little did they know, that he was being kept just outside of the kingdom, in a tower, about 100ft off the ground. The tower was in a clearing surrounded by a dense forrest, filled with suspicious sounds and rumors of fiercesome beasts. The tower itself look ominous, looming over the trees, casting a dark shadow over a small portion of the clearing. Ivy grew up the side and withered. It wasnt a place you'd like to hang round for along time. Inside, however, it was beautifuly furnished with oak. There was a small fire place and chairs. It was cozy. Small, but practical. A small set of stairs lead up to a deccently sized bedroom, where the prince was getting dressed. He still retained his baby face, yet his cheeks had lost their chubby look. Instead of awe and innocence in his eyes, they had become cold and indifferent. His lack of creases around his face showed that it had been a while since he last smiled. There was a mysterious air about him, something inviting but dangerous. His height, let him down. standing at the grand total of 5"5, his would be threatening presense was toned down to your average grumpy introvert. There was one detail that was quite hard to miss, upon exaiming him for the first time. His incredible length of hair.













Thursday, 14 November 2013

Draft for Fairy Tale rewrite


Beauty and The beast - Belle isn't pathetic
The Little Mermaid- Some things aren't worth giving up
Snow White- Snow is a guy, living in brothel
Aladdin-
Alice in Wonderland- in a mental alsyum
Rapunzel- more than capable of resuing herself





Monday, 4 November 2013

How to write a short story


Writing a short story means that it needs to be clear, simple and well developed.

There are a few steps to be keeping with in order to create a decent story.

1: Creating a believable and relateable character. This can be in first or third person view and would generally be the protagonist. Any other characters need to be in a lot less detail.

2: Creating a problem for the charcater. Ideas for a chararcter's problem are usually in a 'verses' form. e.g. Character verses Antagonist, Character verses self, Character verses society.

3: Description. This does not need to be over the top. Keeping description short and sweet can lead to an effective story plot.

4: Planning. It is better to plan the story ahead of writing it to moderate ideas. This stops too many loose ends being produced while writing, and allows a clear, easy to follow plot to be created. Planning also allows the writer to figure out in which direction they want the story to go, or if they do need to add more to their story

5: First Lines: These need to pull the reader in from the word go. The first line defines the rest of the story.

6: Endings. Not all short stories need to come to a deffinitve end. Some give the reader enough of the story to make it feel complete, but not enough to answer all the questions. Some can give a brief insight into a moment in a characters life, and let the reader imagine what happens after the story is completed

Friday, 18 October 2013

Horror Flash Fiction: Scabs Commentary

                                                     'Scabs' commentary

 'Scabs' is based on the theme of Halloween. Its purpose is to entertain and horrify the audience. The audience this piece is aimed at is Year 7 to Year 9. 'Scabs' was written as a short story in flash fiction style for a competition.

Due to the influence of the audience, I used language that would creep out and scare the readers. everyone has had scabs at some point in their lives, and most would have picked at them. There is always the fear of peeling back skin too far and causing harm, so to have a character who loves to peel his scabs who make the reader feel disturbed.

I find that one of the reasons this story is effective is due to its links to childhood. The lexis 'scab' has a lexical field of wounds, clotting, puss, not healing effectively; these are the general connotations given when hearing the word scab. It also links to childhood effectively as many children pick their scabs. The character in this story even talks about his childhood and how his mother scolds him for playing with his scab. The reader should be able to related with the childhood feeling of being interested and enjoying something disgusting.

A phrase I used to creep the audience out is 'I smiled, I loved this part'. This has pragmatic value as it implies to the reader that the character has done the same action before, and shows that he enjoys the pain, being extremely sadistic.

The piece is extremely descriptive, as it gives comparisons to size using a metaphor 'had grown to be the size of A4 paper' and a very visual image 'was deep enough to put the tip of my finger in' to help the reader picture how large the wound he's made on himself actually is. The piece also has a brief description of the feel of the scab, and the feelings of pain that the character feels, which is intended to make the reader feel on their skin the scab and clearly picture how the scab would feel under their finger tips.

Also, describing the state of the characters nails as bitten; we can picture the character struggling to get a grip on his scab, and making a mess of it as he does so. Although the character doesn't describe it, its obvious the wound he has made is more than just bleeding, we know this when he implies how large its splitting and how deep its going. This is also obvious when he is dazed in his chair.

The fact that the character doesn't have a name nor gender assigned to him during the actual story (for commentary purposes I have labelled the character as a him, to make the description easier), It doesn't give the reader a pre-picture of how the character should look, which also isn't described in the story. This makes it easier for the reader to imagine their own person peeling off the scab, either by putting themselves in the story or by creating their own character. the only information about the character is a brief insight to an aspect of his childhood, he's old enough to work, that he travels to work by bike, and how he has a weird fascination with scabs.